This article stands as an investigation on
Memento, a film released in 2000, written and directed by Christopher Nolan. The analysis focuses on the complex discursive strategy by which the text is characterized, and on the interpretative processes that it enables, as much as on the choices made on the level of the plastic configuration, of the sound component and of the enunciation strategies. This leads to reconstruct the project nature of the filmic experience, highlighting the solutions adopted to ensure that the viewer experiences what the protagonist lives, both on a cognitive and on an emotional level.
Pubblicato su Lo Specchio Scuro, 30 luglio 2022.